Flume-Step: The sonic evolution of today’s modern day Mozart

Check out this vintage Triple J Unearthed profile here. This was going way back, even before ‘HEDS’. There’s two tracks on there.

Even at 15, the kid had a way with melodies.

Flume and Jezzabel Doran actually go way back. Like, I’m talking way before hashtags. When Myspace was a thing way back. And if you click here, you can hear the ORIGINAL version of Sleepless. The original Sleepless was actually a collaboration between Flume and Jezzabel which sounds nothing like the version you’ve heard. They were a duo called Antony For Cleopatra. When Flume first released his Sleepless EP, it was released as “‘Sleepless’ feat. Antony for Cleopatra”. However, when he released his debut album, it became “Sleepless feat. Jezzabel Doran”. The version you’ve heard is a re-work — it’s basically a remix of the original track. Don’t quote me on this but I know that Flume felt the original had potential so instead of binning it, he decided to work on it.

Here’s a video of the original just in case the song on Myspace doesn’t load.

The original version of ‘Over You’ with Jezzabel. Originally titled, ‘TV Rock’…

And for more of the duo’s collaboration, check out the Antony For Cleopatra demo.

During this time, he also created under his pre-Flume moniker, HEDS.

And this is the HEDS Triple J Unearthed profile. And the HEDS Soundcloud here.

was born. “It looked good on paper.” That’s what he would say whenever he was asked where he got his name from, off course not before telling them it was the name of a song by Bon Iver. In 2011, he would go on to win a remix competition to be a part of the Future Classic label and one of Triple J’s Unearthed competition for a spot in the Sydney music festival, Field Day.

And off course he joined forces with Chris Emerson to create What So Not

“Tribal House” they labeled their first few uploads on Soundcloud. What’s really apparent in the What So Not project was their percussive work and how diverse it was. Starting from the more conventional 4-to-the-floor beat, then taking a direction towards Moonbahton and Trap. Although more known for his DJ’ing and beats, Chris Emerson was actually a drummer and it’s safe to say Flume probably owes a lot to Emoh for his percussive work.

Flume finally debuts his self titled album after returning from a Europe trip with a friend. Others tried to replicate the same sound, taking influences from Flume’s music, calling it ‘Future Bass’. He had his own name for it – ‘Flume-Step’. No one came close to recreating this new-found genre.

And no one was creating remixes like this. Flume became the face of Future Classic and Modular records became a thing of the past. I love you, Steve Pavlovic but Future Classic has taken the reigns.

Flume and Nick Murphy team up again. They decide to lock themselves up in a holiday beach house to work on some tunes together. And the result…

…just more infectious melodies.

While the rest of the world catches up, Flume is honing his signature sound. Taking an already amazing song by Disclosure, You and Me, describing it as “Orchestral Crunkwave”, he drops this remix…

He would go on to dominate the Arias in 2013.


2 years after his debut album and a shitload of touring, we patiently wait for Flume’s next record. In the meantime he gifts us with this remix of Lorde’s ‘Tennis Court’…

And to show his diversity in sound, a ten minute rework of Arcade Fire’s ‘Afterlife’. Many believed this was the decline of Flume. Boy, were they wrong.

Shortly after announcing that he would leave What So Not, Flume revealed that he had been in the studio working on a bunch of new music. And shortly after announcing that, we finally got a teaser of the possible direction Flume was going to take. Firstly he dropped a remix of Sam Smith’s ‘Lay Me Down’ followed by an original, ‘Some Minds’ featuring Andrew Wyatt from Miike Snow and finally a remix of Collarbones’ Turning. You can definitely hear a focus on the sound design aspect through these releases; there were offbeat rhythms, sounds that were more spacial, cinematic and ambient and very Jaar-esque sounds coming through. Oh, the magic of sidechaining and reverb.

Early 2016, a 4 minute album teaser was released. Later that month, ‘Never Be Like You’ feat. Kai was released by Future Classic. And then in April, BBC1 premiered ‘Say It’ feat. Tove Lo. He perfected it. You know that cross-over sound of experimental yet melodically simple. Just listen to the uniqueness of his percussive work.

And before we hit the halfway mark of the year, Flume finally released his sophomore album, Skin.

After dominating the Arias yet again, he would go on to release the Skin Companion EP in November. We waited forever for this one track:

2017 (so far…)
Shortly after claiming his first Grammy, Flume treats us with another Skin companion EP.

The 59th Annual Grammy Awards - Show
(You can’t fault this following song…)


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